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- Rachel Whiteread
Rachel Whiteread
short CV
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Rachel Whiteread was born in 1963 in London, England. She studied painting at Brighton Polytechnic, England, from 1982 to 1985, and sculpture at Slade School of Fine Art, England, from 1985 to 1987. Whiteread’s work has been included in several solo and group exhibitions, including the British Pavilion at the 47th Biennale di Venezia (1997); “Judenplatz: Place of Remembrance,” Judenplatz, Vienna (2000); “Transient Spaces,” Deutsche Guggenheim, Berlin (2001, traveled to the Solomon R. Guggenheim Museum, New York, through 2002); Serpentine Gallery, London (2001, traveled to Scottish National Gallery of Modern Art, Edinburgh); Haunch of Venison, London (2002); “Untitled (Room 101),” Victoria and Albert Museum, London (2003); “Rachel Whiteread in Brazil,” Museu de Arte Moderna, Rio de Janeiro (2004, traveled to Museu de Arte Moderna, São Paulo); “Walls, Doors, Floors and Stairs,” Kunsthaus Bregenz, Austria (2005); “Plastiken und Zeichnungen (Sculptures and Drawings),” Staatliches Museum Schwerin, Germany (2005); “Embankment,” Turbine Hall, Tate Modern, London (2005); Museo d‘Arte Contemporanea Donnaregina, Naples (2007); Centro Arte Contemporáneo, Spain (2007); Museum of Fine Arts, Boston (2008); Portland Art Museum, Oregon (2009); “Drawings,” Hammer Museum, Los Angeles (2010, traveled to Nasher Sculpture Centre, Dallas; and “Rachel Whiteread,” Tate Britain, London); Tate Britain, London (2017), traveled to Belvedere 21er Haus, Vienna, Austria (2018), the National Gallery of Art, Washington, D.C. (2018), and the Saint Louis Art Museum, St. Louis, MO (2018). Whiteread was awarded the International Medal of Arts, U.S. Department of State, the Ada Louise Huxtable Prize in 2017 and given a damehood in Queen Elizabeth II’s birthday honors list 2019. Whiteread currently lives and works in London, England.
Work
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Rachel Whiteread’s approach to sculpture is predicated on the translation of negative space into solid form. Casting from everyday objects, oftentimes using spaces around or within furniture and architecture, she uses materials such as rubber, dental plaster, bronze, wood, and resin to capture every nuance. In recent large-scale works, Whiteread has replicated the empty interiors of small buildings such as wooden garden sheds in concrete and steel, recalling the earlier architectural works of Ghost (1990) and House (1993). This new series of works is ongoing and worldwide and they are collectively known as Shy Sculptures*.
*Rachel Whiteread’s Shy Sculptures include:
Boathouse (2010), Røykenviken, Norway
Houghton Hut (2012), Houghton Hall, Norfolk, UK
Shack I and Shack II (2014-2016) near Joshua Tree National Park,
California, USA
Cabin (2017) Governors Island, New York, USA
Nissen Hut (2018), Dalby Forest, Yorkshire, UK